Friday 30 October 2015

The Personalised Cross


Can I get one,

That's a snug fit,

In your 'No nails' range,

Now I think of it!


Have you got something in red?

Dull brown's just not me,

Got to think how it looks;

This “Christianity”,

 

What about padding?

It seems quite rough,

And I don't want to get splinters,

If I'm going to be in the buff,



Also, can I wear clothes?

Or I'm going to look silly

Out on display,

And sometimes it's chilly,


Although Jesus pulls it off,

In the book,

For the rest of us, you'll concede,

Not a flattering look,

 

And can I take one,

With slightly less jeerers?

It can't have escaped your notice,

I am hardly fearless,


Besides,

I am quite sensitive,

And I would rather,

Live and let live,


And must I “take it up”,

All of the time?

Could I not work shifts,

Say five to nine?

(Till ten past nine)


I'll do the time,

Fifteen minutes,

Of fame on the cross,

Wait till I tell them,

Back at Martyrs-are-us,


Oh and by the way,

I hope you don't expect me to actually die,

But If called upon, I can perform,

A convincing cry,


Surely that will suffice,

There is no need,

For real sacrifice...





(20/06/2012)

Saturday 17 October 2015

Why I write Poetry


Why I write Poetry


I fell in love with poetry. When I remember my childhood, and hearing humorous verse, like Spike Milligan's 'Silly Old Baboon' or Pam Ayres, 'Oh, I wish, I'd looked after me teeth'. I liked limericks and the Nonsense of Edward Lear, Connecting later with bleaker and more haunting work, through Richard Adams Novel, 'Watership Down'.

I later wrote my first poem, for an assignment in 2nd year English, about a crow, settling on a branch, in the midst of a wind storm. As instructed, I used all the alliteration, and similes I could think of, as I tried to ape the melancholic style and bleak imagery of Richard Adams. For me, at the time, it was oozing with metaphor. I have the feeling now, that my teacher may have thought it oozing with the pus of pretentiousness. However my predominant feeling, on writing this masterpiece, was not dissimilar to the feeling I got when I first tried to ride my bike with no stabilisers. Though wobbling all over the place, with huge potential to career into the road and the path of an oncoming truck, I was thinking 'I can DO THIS' 'I AM doing this. I am a poet!!'



And a year later, Studying poetry for GSCE English, the work of Ted Hughes and Wilfred Owen, in particular, blew me away. Ted Hughes in the unpicking. You had to take it apart to see how it worked. I loved the discussion of the ideas behind his poetry, I hoarded the gold that mining his verses gave up. It took my breath away. Two poems in particular. The Thought Fox, which I used for my GCSE art project, and 'The Warm and the Cold', which remains my favourite one of his.

And then Wilfred Owens 'Dulce et Decorum est', For the exact opposite. It did not need explanation. It needed experiencing. The raw power of it, the violence and shock of it, the righteous anger behind it, and the killer punch at the end, "My friends you would not tell with such high zest, to children desperate for some ardent glory, the Old Lie, 'dulce et decorum est, pro patria mori."

I fell in love with the very idea of being a poet, from these lessons onwards. To be able to express yourself with such potency? That was something of merit.

And a few years later still, when my talented friends were branching out into Music and Art, poetry became MY thing.

I started to self define as a poet. And yes, I probably WAS pretentious, but it connected me to a creative side that hitherto had been left untapped. I began to carry a pen and a bit of paper with me everywhere I went. And in that rather teenage unconscious way, I would frequently stop whatever I was doing and pull out the folded bit of A4 from my back pocket, and start to scrawl.

And I kept on scrawling. With varying degrees of success. It is not so much that I went on a poetry journey, but rather that poetry became my constant companion on my journey through life. And the A4, and the occasional back of an envelope, eventually became a note book, which became a Lap-top, and then a phone. But every now and then, an envelope still comes in handy.

I began to see in my life that poetry was everywhere, that, As the poet Pablo Neruda puts it, the 'Heavens unfastened'. That the world was indeed an awesome place, and by that I mean full of awe, and poetry helps us revel in the wonder of it.
And, as many poets I suspect will resonate, some of the most painful moments of life are poems that never reach the land and evolve, never grow words, font, syntax and verse, but are reclaimed by the sea of forgetfulness, from which we failed to rescue them, dragged back into the receding tide of memory. Good ideas for poems, like the biggest fish, are usually the ones that got away. Let me tell you. The great Poetry I haven't written. You would be amazed.
And like I said, Poetry became my companion on the journey, but it became more than that. Through all life, it became a way understanding, of giving form to a yearning, be it spiritual, social or sexual. It was the means, in part, by which I processed my loss and acquisition of faith, and the bereavements of my Mother first and then my marriage.
It became a way of marking the miles. It punctuated the otherwise long and monotonous sentence of my time-line. Poetry became my diary.

And it allowed me a voice. Often, in private, I would write things I could never say socially. I could re-imagine conversations, I could add caveats to ones in which the last word was denied to me. I could express doubts about all kinds of things. Probe the darkness a little. Shine the light of verse into the shadowy recess, and see if there was a monster lurking there.
And those seed thoughts that we all have at times? I could explore them. Poetry has been a joy and a gift to me.

And just occasionally, what I love about poems, is they can reinvent you. People who have heard you read a poem, often find that you are not quite the person they thought you were. If we dare risk it, poetry can pin the heart you have kept in your pocket all these years, back on your sleeve.


And while I am quoting a great poet, why not let us see what some other of the finest poetic minds have to say on the subject of poetry and it's purpose.

Soren Kierkegaard (Danish philosopher, theologian, poet, social critic and religious author)


and somewhat less flowery, T. S. Elliot asserts;
T. S. Eliot


Salman Rushdie has an even higher view of poetry,

Salman Rushdie

I think I may have just about managed to take a few sides here and there, maybe even started an argument. But Poetry can wake us up. It can shape our world, and in shaping us, then those around us. And it can challenge. Oh yes.
Robert Frost

It seems to be the translation of the soul to paper
Carl Sandburg (American Poet)


John Cage (American Composer)


I just threw that one in for contrast....and humour.


Leonard cohen, perhaps one of the most poetic of lyricists, and a poet in his own right, as this quote will demonstrate says; Poetry is just the evidence of life. If your life is burning well, poetry is just the ash.~ L. Cohen

And this is the sense that I want to get hold of, in my own writing, and for all of us tonight. Life converts into poetry. Life is poetry. Poetry, if not life itself, as the singer asserts, is evidence of life, It is not separate as we sometimes suppose. Cohen makes this vital connection, but of course, he is speaking AS a poet. We are not ALL poets though....are we?
John Fowls, a novelist, who brings a brings a word-smith's sensibility, to his understanding, and speaks with a poetic heart when he says;

John Fowles (Novelist)

Which brings me back to a vital question. What IS poetry?

I sometimes feel like a poem is whatever you want to call it. I recall a discussion, in my first year music class, on what was 'music', and my teacher told us of an experimental record, in which, on both sides of an LP, silence was recorded. We were asked to discuss if THIS was music.

My music teacher concluded that Music, was whatever it's creator defined it to be. He argued and noise, or lack of it, if it was used intentionally to create 'music' was worthy of the name music. He hastily added, of course, that doesn't make it GOOD music.

The same arguments exist around art, of course. There so many views of what constitutes art. But following my Music teachers principle, anything that is used to create art, can be considered art, because art, like music, is in the intention.

So if Life is poetry, and poetry, in some sense, is life, what makes poetry? The writing and composition of poetry gives expression to something that pre-exists, because it is the substance of life that inspires us. It comes from somewhere.

Can John Fowles be right? Do we all write, unwritten poems, save the poets themselves, who occasionally commit them to form. What Fowles is saying is that our lives ARE poems.

This is a high view of poetry, indeed.

And here is my last quote from Michael Franti (An American rapper, musician, poet, and singer-songwriter.);

He is quoted as saying Every single soul is a poem~”
 
Although Franti was born in the sixties this idea he is espousing is just a little older than he is. I am a believer in Jesus and I regularly read a certain book that is ancient in origin. A book full of, and bursting with poetry, the intentional expression of the heart behind creation. St Paul espouses a concept that sits not too uncomfortably with greek mythology, which states that within each of us humans, is the 'spark of Zeus'. St Paul in Ephesians 2:10 says that 'WE are God's workmanship',

The word 'workmanship' in Greek is Poiema. Sound familiar? Poiema, I am informed, is the route word from which our word Poem, is derived. Workmanship can also be translated, as Masterpiece. A work of art. So then we are a divine poem. And, from my perspective, the divine creator, placed in us, at our core, a longing for creativity.

There is a sense in which we are a creative expression of the divine heart, a poem, written not on screen or paper, but on 'the tablets of human hearts'. And through our lives we are shaping that poem.

And so our written poetry is the intentional expression of our hearts, and connecting our emotions to thoughts, and our thoughts to words, is the most human of things to do. To write is to pertain to a sense of wonder at the world, and sometimes, to express our dissatisfaction with it....and everything in between. Poems can be written about all life. About a chewed up bus ticket, or a cheating partner. It can be about the lifting of depression, or the simple beauty of a raindrop. It can express frustration with a late train, or it can lament the death of a loved one. It can rage against the elements, or serenely accept its fate. Poetry encompasses and enhances life. All life. And it gives a voice to whomever finds it. Because 'Every single soul is a poem', then 'every voice is valued'. Poetry is a way for us to register our arrival and presence on the planet. It says 'I am here'. And that is why I write.




(Written as an essay to be delivered at 'Speak Easy'.  A gathering of poets.)

Tuesday 13 October 2015

I Met You Last Night

I met my dead Mother, in a conversation last night,
Coming the other way in words,
If I hadn't lifted my head,
They may have gone by,  unheard,

But in your remembrance,  from a mutual friend,
I saw you like it was the first time,
Through fresh eyes,
Distanced from the distortion of familiarity,
Free from familial contempt,
The contempt of contentment,
When new information,
Is kept waiting at the door,
Or is barged past on the crowded Street.
 
No I saw a flash of you.
It was a glorious ghost,
I saw your smile in their fondness,
I trod the steps,
From alienation to affection,
As they grew to love you,
And you warmed to them,
 
I felt the burn of your shyness,
I recoiled at the heat of your cool reserve,
I felt the tingle of thawing numbness,
As your guard came down,  and your defenses melted,
 
I too had known it once,
I was on occasion,  kept at the door,
I knew what it meant to be invited in,
And to sprawl out, fireside on the floor,
I saw you smile, as they recalled your warmth, 
I saw your face in the smile of the words,
I saw the flash of it, and It caught my eye, and it was free from all remorse,
 
It was you,  and devoid of me,
It was you standing apart from the cage of memory,
It was you,  in colour, sepia free.
Filterless and feisty,
You and you alone,
No memory to bind or blind me,

And you were as living as the words
You had life, beyond them,
Your life was in them,
As they recalled your goodness,
It was the surprise of sight,
That took my breath on a journey,

I saw you in the words of another,
And touching their words I reached out,
And kissed the face of my Mother.

Wednesday 7 October 2015

You Were Taking Your Time


You were taking your time,  you said,
 Cradling my first-born baby's head,
 Taking it nice and slow,
 "There is such a long way to go "
 You were keeping your distance,
 Hoping to win us with your persistence,

 And you were not in it for the short haul,
 Taking the long view over all,
Not stepping on my wife's toes,
 But wearing her shoes, donning her clothes,
 Imagining yourself in her skin
 Measuring out the space that she had to be in,
 
You were cautious because of the past,
 And the chasm created, deep and vast,
 And the rift that seemed to have healed,
 Sewn up in ripping baby squeal,
You knew empathetically,  what to do,
 Space and love would come shining through,

 And so you were taking and biding your time,
 Never quite placing your hand in mine,
 That would come further down the road,
 Love pending,  awaiting download,
 Five per cent of it slowly processed,
 Ninety-five per cent, never possessed,
 
There were no comics, nor walks in the park,
 There were no late night cuddles, to squeeze out the dark,
You said You were taking your time, when time was taking you,
 If you only had known, you'd have thrown off restraint, and resistance too,

 You would have gathered us all to your chest,
 And our last years together would have been blessed,
 With memories of unchained and unedited love,
 But sadly, when push came to shove,
 While time was taking you, you were taking your time,
 And it took away, along with it, potential memory's of mine,

 Memories of knowing you with my son,
 Two years shared and barely a one,
You were taking your time
 Whilst time was taking both yours and mine. 

The Cushion of The Years (Shield against Apollyon)

  Tonight, at 51, With the duvet pulled up to my ears, I will play myself to sleep, With the cassette replacement, Of the tape my mother bou...